Birth information2 August 1964, Fort Jackson, South Carolina, USA BioSouthern-bred Mary-Louise Parker, from Fort Jackson, South Carolina, was born on August 2, 1964, the youngest of the family's brood. She showed potential in her teens and majored in acting in her college years, graduating from the North Carolina School of the Arts. She decided to test the waters in New York, and after work on the off-Broadway stage in the late 1980s, made her Broadway debut with "Prelude to a Kiss" in 1990, where she won the Theatre World Award, the Clarence Derwent Award and a Tony nomination. Films and TV quickly followed. She provided both poignant and amusing moments as the token femme friend to a group of gay men in the AIDS drama Longtime Companion (1990), but really caught fire with her feisty, standout performance in Fried Green Tomatoes (1991), holding her own against such female powerhouses as Jessica Tandy, Kathy Bates and Mary Stuart Masterson. Dubbed by some as the "long-suffering girl next door", she played such noble miserables and cast-asides in Grand Canyon (1991), Naked in New York (1993), Bullets Over Broadway (1994), Boys on the Side (1995), in which she was the AIDS victim this time, and Let the Devil Wear Black (1999). Preferring quality over quantity, she perfected her craft with offbeat roles in independent features and did not abandon her theater roots. She copped a slew of acting prizes for her stage work in "How I Learned to Drive" (1996) and, most notably, "Proof" in 2000, wherein she won nearly every award there is to attain, including the prestigious Tony. Her marquee name still does not command what it should, but a picture or production with Mary-Louise Parker in it usually guarantees a strong critical reception. Unmarried, she did enter into a longtime companionship with actor Billy Crudup after the twosome appeared opposite each other in the 1996 play "Bus Stop". They went their separate ways in 2003.

Chicago – The 61st Annual Emmy Award Nominations were an interesting melting pot of smart, brave, new choices and old-fashioned, predictable, stale selections. It was fantastic to see a few first-time nominees from our own “Dream Emmys” piece including Jim Parsons for “The Big Bang Theory,” Jack McBrayer for “30 Rock,” Kristen Wiig for “Saturday Night Live,” Aaron Paul for “Breaking Bad,” Hope Davis for “In Treatment,” Toni Collette in “United States of Tara,” and Cherry Jones for “24”. Those are great choices that hint at an organization willing to think outside of the box when it comes to handing out awards.
Now, that doesn’t mean some people weren’t totally screwed. For every great choice this year, there was one that could politely be called a head-scratcher. In my humble, TV-critic opinion, the Academy of Television Arts and Sciences failed to nominate what should have Won the top three dramatic categories
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It’s official. “Weeds” creator, Jenji Kohan, has set the record for the shortest TV pregnancy in history. Okay, that may be debatable. But, from the time Nancy Botwin started “showing, until the time she popped out Esteban’s newborn baby boy spanned all of two episodes. At San Diego Comic Con, Kohan stated that their sexy-lead actress, Mary-Louise Parker, did not want to be pregnant for the entire season. After Esteban decided to call off the wedding under threats from Mexican powerhouse Pilar Zuazo, Nancy decides to call Andy up and escape. Who can blame her, especially when Cesar unveils a dungeon like birthing room for Nancy to conceive in? Andy swings by the Esteban estate, under the premise that Esteban is dead. Alas, he’s been duped by Nancy, who just needs a ride in Andy’s “Dukes of Hazzard” General Lee. Nancy’s under the opinion that
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The first wave of major titles for this year's Toronto International Film Festival [1] were announced yesterday, and there were certainly more than enough high profile picks to get people talking. Ricky Gervais's The Invention of Lying, Neil Jordan's Ondine and Nicolas Winding Refn's Valhalla Rising were among the world premieres unveiled for September, along with North American premieres of such films as Steven Soderbergh's The Informant!, Bong Joon-ho's Mother and Johnnie To's Vengeance. There was some controversy over the choice of Jon Amiel's Darwin biopic Creation as the festival opener -- not because of the subject matter, but rather because of the fact that this is the first time the fest will kick off with a non-Canadian film. It does seem like a bit of a strange choice, but how can you say no to Paul Bettany and Jennifer Connelly? Sundance hit Precious, Based
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